Let's start with the Australian who, despite bad seeds, has been able to make wonderful musical plants blossom again and again for many years.
So what do I think of "Wild God"? If Zarathustra had once grown up in a disreputable neighbourhood of a big city, Nietzsche would also have had to rewrite his story. Conclusion: Cave, as in his good times - but not as in his best times. The album might make me change my mind, of course.

The recording with Keith Richards proves one thing - if you manage to keep the old man awake and happy in the studio - and surround him with good musicians, then the result is not only worth seeing, but also worth listening to.

Ren is an interpreter, musician and fighter like no other. From the lyrics to the composition, I find almost everything about him captivating. But for the next Police cover, it would be a good idea for him to look around for a bassist who can even come close to Sting.

Otis Sandsjö creates a problem to me. But maybe it's because my Swedish can be categorised as subterranean. But this Swedish jazz interpretation fails me completely. I can neither recognise the theme nor can I find a comprehensible structure. I'll probably have to invite him back for another session on my headphones.

One final tip:
As you are always on the hunt for candidates who can entertain the crowds at this year's MKNŽ open-air festival in the cornfields of Ilirska Bistrica, I have one more suggestion.

By the way - I find Kim Gordon a little exhausting.